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Finding the boundaries of useful art, craft and design

Artists, if they were asked, and had they formed a view point, might well say that they are artists because they express thier personal sensibilities and their ethical position.
This variety of unique attitudes would undoubtedly include many absorbed in the phsycological state of the artist. Art can, and often does, express an uncomfortable state, it can also use challenging and nasty imagery.
There must be selection to serve the purpose of healthcare.
The work needs to be commissioned from those artists who support a sense of well being in the human condition, though even the bleakest artists may claim this, it is normally apparent. The problem is often less one of decision about the quality of art object in question but of dealing with the debate about freedom of expression for the artist and the ‘special case’ circumstances each artist will argue for their own work. Many lay members of arts steering groups will be resistant to the stye or form new art takes, arguing that it will offend and unnerve the older members of the community, I haven’t experienced this and think that it is extremely unlikely. Often there is envigourating and sometimes amusing debate about art that is challenging but I haven,t observed discomfort. It takes time for original art to be accepted but this process is educational and worthwhile, once accepted it makes a stronger contribution.
Crafts and design are brilliant in this context, when good, they contain the superb values of careful making and thoughtful design, themselves civilised and life-affirming. Designers and craftpeople work with the users of their products, solving practical problems. If there is a problem this is most likely to be a division of opinion within their consultation group.
Arts therapists may see the project for arts integrated in the building as an extension of arts therapy practice, this is deceiving whilst it is is good for resolving individual health issues it often fails in a public context. To ask amateur artists to solve complex visual tasks is to make too much demand on them. It is the quality of the work which will count in the end.
I wouldn’t advise more than 20% of any project is sourced for amateur community members. Mental health, where service users possibly have a long relationship with their health facility, benefits from this as it establishes a sense of ownership. That is not to say that community art shouldn’t be present in pictures on the walls or exhibitions. I make this distinction only for site specific, integrated artworks.

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